Codex on the Flight of Birds
Eighteen folios on how birds use wind, balance and the centre of gravity — the theory behind every flying machine I drew.
“A bird is an instrument working according to mathematical law.”
Folio V · Codici · The notebooks
More than seven thousand pages survive: shopping lists beside flying machines, geometry beside jokes. I write right to left — the left hand’s natural direction — so turn the notes around to read them as I do.
The Codex Leicester — water, rivers and why the old moon glows — now belongs to a private collector.
Eighteen folios on how birds use wind, balance and the centre of gravity — the theory behind every flying machine I drew.
“A bird is an instrument working according to mathematical law.”
The largest gathering of my papers: over a thousand leaves of machines, weapons, mathematics and botany, bound together after my death by Pompeo Leoni.
“Mechanics is the paradise of the mathematical sciences.”
My earliest dated drawing — the day written in the corner. A landscape for its own sake, drawn quickly in pen, perhaps the first of its kind in Europe.
“Day of Our Lady of the Snow, 5 August 1473.”
Late studies of water and wind tearing a landscape apart — physics, fear and abstraction on a single sheet.
“Water is the driving force of all nature.”
A page from my to-do list
Lists like this run through the notebooks. Most of them are still open questions for anyone curious enough.